

My professional path eventually led me into the leadership of large companies, where I discovered a different kind of geometry - the invisible structures of human roles, hierarchies, and dynamics.
Observing how people positioned themselves in these frameworks became just as intriguing to me as the mathematical elegance of shapes.
Observing People in Roles
"The barista lets the grinder sing while spinning tales for the guests. From ground beans comes coffee, from ground words comes atmosphere."
Barista's Neverending Grind
Selection of Works
"He holds the power. Every closet hides its skeletons, but those who act with integrity have nothing to fear.”
Mayor Flexes His Muscle


"A frame without tempo - the world sinks into slow motion. In the critical moment before the wave breaks, time stretches and folds."
The Surfer's Heat
"For a moment, he pauses, stretches out his hand, reflects on what has been done, and gathers strength for the next stroke."
Stretch of the Smith


"The Blue Labyrinth carries within it both the vastness of the sea and the complexity of life. It is a journey through a world where certainty and direction must be sought step by step."
Helmsman in the Blue Maze


I have been obsessed with geometry for as long as I can remember. As a student, I was captivated by the balance of shapes, the rhythm of patterns, and the way forms could create a sense of order and mystery at the same time.
This fascination deepened during my university years, when I studied engineering and learned to see the world through the lens of structure and precision.
Each shape, when viewed from a different angle, seems to reveal something entirely new - an endless play of perspectives hidden within the same form.
Obsessed by Geometry
My Story
For more than a decade, I have been quietly mastering my craft in my home studio.
Working primarily with oil paints, I have explored how geometry can be transformed into portraits and stories.
Alongside, I studied at the Open Academy of the Estonian Academy of Arts, which gave me new tools to refine my vision and technique.
Mastering the Craft




What began as a private passion gradually stepped into the public eye, with my first exhibitions marking the beginning of a dialogue between my inner world and a wider audience.
Each show has become not just a presentation of paintings, but also a continuation of my lifelong exploration of shapes, people, and meaning.
Exhibitions
TWELVE CHAIRS, TWELVE PEOPLE
HAUS GALLERY
May 9 – June 07, 2025
A joint exhibition by
Martin Luts & Indrek Aava


The Studio





